Filed under selected drawings

scorpio moon

this love is a wizard's love

24″ x 24″

mixed media on paper

tethered

wild, panting horse

my heart is the drum you

take your breath by

“out beyond all rightdoings and wrongdoings there is a field

I’ll meet you there” *

* quotations are a poem by rumi

Tagged , , , ,

black bird glow

black bird glow, in the darkest of nights I fly by your shadow light

22″ x 36″

conte on stonehenge

whale rider

black days and light rays

22″ x 36″

mixed media drawing on stonehenge

never assume

that a Georgia Peach

glows bright by default alone

‘cuz behind all veneers, every

candy fresh glisten

lie stories of darkened deeds

and it’s true, ’tis it not? that

such blackened parts make a peach glow abright, abright

without which

it’s just a peach

a peach

a peach awash in the light.

grace and fury

three graces, three furies forever balancing their scales

22″ x 22″

mixed media drawing on stonehenge

zebra heart

a zebiraffe licked her face and awake she did in a land full of wonderment

22″ x 22″

mixed media drawing on stonehenge

be here now

here and back again

22″ x 22″

mixed media on stonehenge

on this path

i have to

face my own face

sometimes.

still waters

a shimmering glimpse appeared on the horizon; she turned her face in greeting

18′ x 24′

graphite on paper

a work in progress. But,

aren’t they all?

I wonder where this one will lead me.

libra be my breath

awash with pigment, my dreams come to life and dance like little daemons

11″ x 15″

watercolour on warm white stonehenge

libra, be my breath.

my lifeline of BOLD choices

forever painting in washes of enigmatic, impossible Love.

impossibly possible, she thinks.

(All is full of Love).

So reach out and paint it upon yourself.

libra, be my breath.

my ethereal dove

and freedom.

spheres of influence

my nest egg is made of eggs

9″ x 12″

graphite on paper

 

creation and destruction

artemis

8″ x 10″

screen print

This piece is a comment on how I use myth and allegory to understand my immediate and long-term realities. In it, I relate to Artemis, the huntress, in her love of nature and the strength of her femininity, which is housed in a certain tom-boy-esque beauty. Her arrows are sacred. They can kill for survival but can also be used to focus intensely on a mark, to the exclusion of anything else around. I love the ethereal, equanamous vacancy in her eyes, soft focused and dreamy in contrast to her sharp, defined lines and pleasant but reckless blocks of sheer grey shadow.

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